Disruption 101 for Self-Publishers.

The publishing industry is undergoing significant disruption. Amazon is pushing down book prices and controlling the point of sale. Self-publishers are flooding the market with cheap books, producing some very high quality work that competes with traditionally published books, and proving a new business model that may well lure authors away from traditional deals.

The level of disruption cannot be underestimated, and it’s going to have a significant impact on publishing as we currently know it.

Read more at Forbes.

Two poems by Susan Flower: “Homecoming” and “Bolsover Castle”.

HOMECOMING

I take the Romany’s sprigged heather,
tuck its pink tight buds curled like
baby fists tight as a talisman,
blue with longing, into my bag.

I am pierced mid-flight
by a hint of traveller she sees
within – an Irish woman
on the grandmother side,

Ellen Glancy unschooled, catholic
in tastes and religion,
pawned her soul for potatoes
that lay rotting, bleeding
into darkened sod.

Her pilgrimage to England
and Alfred, then retracing steps
to Enniskillen for the wedding,
returning to peg washing
not in a whipped north-easterly
which cut the souls.

Back across grey waters
fretful and choppy, till her own
broke a tidal wave, her firstborn.
Homesick for emerald patches,
a mercurial sky tilting meniscus,
struggling for freedom.

Iron rain lashes my face,
her slashed smile a rent petticoat.
Merging the troubles one with another,
I take her hand in mine,
it lies still but warm, without
need for words.

*****

BOLSOVER CASTLE

I stride the battlements; crenelated Portland stone,
Sheer five hundred feet below grassy fields.

A twenty-mile fish-eye panorama of peaks;
Arkwright’s Sutton Hall, Bess’s glass Hardwick.

Beyond receding greens to softened hues, greys
Through anthracite, slate, to a sooty-blue meniscus

The wind moans the miles, traps whispers in
An ancient avenue of limes to the riding stables, keep.

I descend eroded limestone steps, scoured clean
By tides of serfs; stranded in landlocked Derbyshire.

by Susan Flower (alumna 2010-2011)

The Black Path free literary event, Wed 23 October.

Don’t forget that there will be a free reading of work from The Black Path by last year’s students on the MA Creative Writing course.

The reading will take place in MC0025, 12.00 – 1.00, Wednesday 23 October (2013). Work will include poems, flash fiction and extracts from longer pieces.

Everyone welcome.

Poetry & Audience: 60th birthday celebration at Leeds University.

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Prof John Whale with the sculpture bequeathed to the editors of P&A magazine in its early days.

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Saturday, 19 October, 2013

Editors past and present, together with various poets, magazine editors and current students gathered at the School of English at Leeds University to celebrate 60 years of Poetry & Audience.

Poetry & Audience is one of the longest-running poetry magazines in the UK and owes its longevity as much to the frequently crisis-driven student-owned nature of its existence as to the commitment of the School of English. It also forms an integral part of the strong literary tradition of Leeds, which includes JRR Tolkien and poets such as Geoffrey Hill, James Kirkup, Tony Harrison, Ken Smith, Jeffrey Wainwright, Jon Glover, William Price (“Bill”) Turner, Paul Mills and many others.

The anniversary involved a roundtable discussion of poetry magazine publishing, readings by P&A poets and editors and individual accounts of the history of P&A (Michael Blackburn, Elaine Glover, John Goodby, Emma Must, Chris Nield, Antony Rowland, Jeffrey Wainwright).

The event was hosted by Prof John Whale, with sessions chaired by Fiona Becket, Hannah Copley and Emily Timms (who also arranged an exhibition of P&A materials). Many thanks to all of them and anyone who I’ve forgotten to mention.

Participants: Michel Blackburn, Carole Bromley, Elaine Glover, Evan Jones, Paul Maddern, Adam Piette, John Goodby, Jay Parker, Christie Oliver-Hobley, Sarah Webster, Amy Ramsey, Mick Gidley, Elaine Glover, Emma Must, Antony Rowland, Jeffrey Wainwright, Hannah Copley, Eleanor Ford, Daniel Boon.

Current and former students of Lincoln may want to submit work to P&A, of course.

“Monkey Creates”, a poem by Nick Beaumont.

Monkey Creates

The universe is an omelette.
An omelette, or maybe a quiche…
well anyway, the important thing is
it all started with an egg.

An egg with a bloody great crack
down the middle that fizzles
with dark energy. One day, it splinters
open from one too many bangs

on the celestial frying pan,
spattering globules of sticky blackness
across time and space.
The shell pirouettes away, leaving

a yolk that would have fallen if it wasn’t
for the lack of gravity, but instead
hangs in the gaping silence,
a black, undulating mass of chaos.

The mass is snoring.
But it doesn’t snore for long. Monkey wakes
and scratches his furry arse.
It’s pretty close in here he thinks,

so he lifts up his Monkey paws,
and pushes away the squishy black space yolk.
Above him he creates the great
celestial jungle, and below the waters

of the celestial rapids. He swipes
whole paw-fulls of oozing jelly
and skilfully fashions the
banana tree galaxy, the climbing frame

solar system, even the delicate
patterns of the tree vine constellations.
Exhausted, Monkey rests
on the great primordial rubber tyre,

ideally flicking fleas into the cosmos,
where they explode in soft plumes
of orange and purple, becoming
spiralling galaxies and unexplored nebulas.

By Nick Beaumont (alumnus 2010-2011).

The Telegraph “Just Back” travel writing competition.

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Your travel writing could earn you £1,000. That’s the prize for our ‘Just Back’ article of the year. The weekly prize is £200 in the currency of your choice from the Post Office.

How to enter the competition

Simply email your entry, of no more than 500 words (no attachments), tojustback@telegraph.co.uk

Fay Weldon speaks up for creative writing.

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I would like to see a new discipline, called simply Literacy, taught in our universities and schools, so that the current outpouring of muddy texts can be replaced by a flow of elegant, informative and crystal-clear information – to the benefit of our national pride and dignity. In the meanwhile employers should note that an employee with a qualification in creative writing can be trusted not just to write simply and well, but to be empathic (the fiction writer spends a lot of time pretending to be other people) so is less likely to write tactless emails and cause a scandal unless intentionally. Creative writing is a degree in the effective management of words and emotion and an understanding of how they relate, and yes, it can be taught. And if I might add, should be.

Source: Fay Weldon in Times Higher Education.

Although she should have struck “crystal-clear” out as soon as she’d written it.